Showing posts with label "You and other stories". Show all posts
Showing posts with label "You and other stories". Show all posts

The Elegant Manners of the Unseen

 

That noisy team of bear tamers had finally gone, after the bears, neglected by their drunken owners, had pulled the only keeper the town cemetery had ever had to pieces. He was the only living man left out, because all the towns folk, frightened by the eerie, unprecedented color of the sunset, as if they had changed their human brains for an ostrich mind, had decided to stay indoors. The keeper couldn’t see very well – people even said his sight had been absorbed, in so many years of honest service, by the bizarre luster of the tomb marble – so that he could barely move; but it seemed he had still loved life on the earth, which he saw increasingly blurred, because, a few seconds before he was caught in the bears’ avalanche, he had cried out:

 “Oh, Lord, a great hunger is coming my way!”

So the dead were left without protection, and after the keeper was buried two other disasters followed: most of the wealthier tombs were stripped of their marble (which was used to erect barricades on the walls facing the direction the end of the world was expected to come from, on the names, numbers and old tear-inspiring poems were erased, so the marble could be used later as brand new), and the wheat silos caught fire. The rich got out of their houses at the same time they got out their minds, and walked around and around the staggering fires, until the smell of well-done toast turned, painfully persevering, into a smell to ashes. Our giant daily and nightly bread became flying, hot ash, and one would have thought the ghost of mandatory humbleness was hovering over the grim roofs of the town.

“It’s clear there is a curse on this town,” the priest stated.

But this was much the way it had always been: when we didn’t have a town we had the curse of the town, and the other way round. By curse, most people meant not only the curse of God pronounced somewhere at the beginning of time – and which, esoterically speaking, had done nothing else but preserve the divine hierarchy – but a curse embodied in man, in an ill-omen animal, or in a witch that even hell spits out. An inquisitorial investigation was conducted into the dreams of the town’s inhabitants to find out as much as possible if any of them had tried to time travel, to escape his own body, to resurrect dead men, to fly to the moon, to do foolish things against nature etc. Long services held by the three religions, as well as the private exorcising incantations of conjurors, astrologers, card gamblers etc, somehow chased out the sadness of the bread ashes; they were paralleled by a magician who came in from far away. It is impossible to calculate from how far, because the sadness that had nestled in the souls of the people was so deep that everybody could only feel very far away from everybody else: which is terribly abandoned, terribly lonely.

You and other stories

You and other stories

You and other stories

"There are people that have survived feeding themselves with paper. There are even writers that eat paper. The forerunner of these is that anonymous monk who used to write with his right hand and to eat with his left hand. There is told that one revealing morning, he realized he had eaten everything he had written. What had really happened inside his body? What might mean the act of writing, the writer, immortality, and the potential readers for him?" [The Author, Uneaten Papers]

"Ardian-Christian Kyçyku is a writer of Albanian descent, who settled in Romania in 1990. He wrote 20 novels in Albanian, and, during the last 10 years, he published a few novels and stories in a perfectly assimilated Romanian language. In Albania, he is vaguely known; here, in Romania, not even that. But his books are a revelation. I will mention here his recently published novel A Dying, Glorious Tribe (1998). In culturally normal conditions, Kyçyku would be seen as an Eastern-European Marquez. But he is just considered an "artistic brain," transferred from Albania to Romania. And he has the weird status "between a professional cultural renegade and an old cosmopolitan," as he defines himself. I consider him a Romanian writer, in a space that used to be called Thracia a long time ago, from the Carpathians to his Illyria. Kyçyku is the wonder child of a Romania remembering she was once Thracia… and who is today stressed out because she cannot find any collapsing or perhaps redemption allies" [Plural Magazine, Romania's Thracian Memory, Bucharest, Vasile Andru]